Comfort Food

In a few hours, Flips Flipping Pages will be discussing books around the theme of Filipino food.

ffp-foodie-invitation

I’ve been looking forward to this book discussion, because I think among the Flippers’ core group  we’ve already proven our foodie status ages ago! A lot of the memorable foodie experiences I’ve had in recent time are with my Flipper friends: a weekend spent snacking in Tagaytay; Mike’s hummus; our British tea party; devilishly delish dinner at Wicked Kitchen; lunch at Casa Rap; Japanese buffet at Islandhopper’s farm; the humongous Al’s Rice; a French baker’s bread, and breakfast at Yogurt House in Sagada; and French dinner buffet at Log Cabin, also in Sagada. Practically every single monthly book discussion — or just about any time we’re all together — turns into a food trip.

For this discussion, I chose to read Anvil Publishing’s Comfort Food, edited by Erlinda Enriquez Panilio, which, incidentally, also happens to be book #100 of 2009! Comfort Food is a compilation of essays by notable Filipino writers and society figures. I actually got this back in 2006 for P40 from the Anvil bargain bin at the Manila International Book Fair, and I got as far as around two essays but I was only able to finish it for the book discussion.
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Frenching it up

Setting is one of the important factors that draw me to reading a book, especially when I’m trying out an author for the first time. I find that there are certain settings that appeal to me more than others, and sometimes, the setting alone influences my decision to purchase a book that I’ve never even heard of.

I’m particular about setting because by nature, I’m an escapist reader – I like getting lost in the imagery of the words, transported to the very heart of the story, forgetting for the moment the never-ending to do lists, looming deadlines, and the general chaos of daily life. The setting just makes everything so much more real for the imagination, bringing the plot and characters to life.

 

the escapist reader
the escapist reader

 

I like the centers of art: Florence (as in Sarah Dunant’s Birth of Venus, Diane Haeger’s The Ruby Ring) and Delft (Tracy Chevalier’s Girl with a Pearl Earring); the musical city of Vienna (Eva Ibbotson’s A Song for Summer and Star of Kazan); Spain, rife with mystery (Carlos Ruiz Zafon’s The Shadow of the Wind and Arturo Perez-Reverte’s The Club Dumas and The Fencing Master); the English countryside, sometimes romantic, other times forbidding (Dodie Smith’s I Capture the Castle, Eva Ibbotson’s The Morning Gift, Diane Setterfield’s The Thirteenth Tale); the vibrant Venice (Sarah Dunant’s In the Company of the Courtesan, Zizou Corder’s Lionboy, Donna Jo Napoli’s Daughter of Venice); and the exotic Morrocco (Barbara Hodgson’s The Tattooed Map, Zizou Corder’s Lionboy) or Greece (Eugene Trivizas’ The Last Black Cat).

The Italian countryside can be quite charming (Under the Tuscan Sun, Every Boy’s Got One), but for a rustic gastronomic adventure, books set in the French countryside always hit the spot for me, providing a heady experience of sights, sounds, tastes, and textures, as in Peter Mayle’s Chasing Cezanne and A Year in Provence; or Joanne Harris’ Chocolat.

Today’s books are non-fiction, but also set against the backdrop of pastoral France: Champagne: The Spirit of Celebration by Sara Slavin and Karl Petzke; and Sara Midda’s South of France: A Sketchbook (books #84-85 of 2009), both rummaged at Book Sale for P20 ($0.40) and P40 ($0.80) each, respectively (squee!).
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Lenten Special: Tuna Melt

I’ve been in the middle of a book for some days now (Pagan in Exile), and admittedly, I’ve been losing interest in it. So tonight I decided to “cleanse the palate” with a cookbook, my first cookbook review for the year :)
Book #44 for 2009: Grilled Cheese: 50 Recipes to Make you Melt by Marlena Spieler, from one of my favorite publishers, Chronicle Books. This book caught my eye at the National Bookstore Book-sak Presyo sale last December at Market! Market! because I looooove cheese. All sorts of cheese (no, processed cheese isn’t counted), and the stinkier, the better.
Because it’s Lent, I decided to try the recipe for spiced up tuna melt (Tuna Melt with Spanish Flavors), and it’s great because I had all the ingredients — tuna, Monterey Jack cheese, bell peppers (that I roasted in the oven toaster), paprika, half an onion, mayo, olive oil, and some salt and pepper to taste.

Aside from the long time it took me to peel the bell pepper (note: next time, canned pimientos!), it was pretty easy, just like making normal tuna spread except with more ingredients. I had fun using the mezzaluna knife (a la Nigella) that my mom bought at Crate and Barrel (comes with its own chopping board!) for the fine chopping.

And then I grilled the sandwich (brushed with olive oil on the surface) on a non-stick pan, using a clean saucer to weigh down the bread (my battery was conking out, so no photo of the saucer).

When the bread was nicely browned, I sliced it down the middle and yum — cheese came oozing out! :) It was yummy — the paprika and the bell peppers gave the tuna spread some zip, and some smokiness. The Monterey jack was nicely melted; I got cheesy strings stretching out as I bit into the sandwich. Sigh… it was perfect!

My yummy tuna melt!

My goal is to try out all the recipes in this book within my lifetime, and maybe invent some of my own. I need to collect more cheese “specimens” (not a wide variety available in this country, and expensive, too!) to experiment with the different combinations of grilled cheese sandwiches in the book… Meanwhile, just flipping through the pages makes my mouth water.

I think I’ll go make another tuna melt! :D

***

My copy: paperback, bought for P50

My rating: book 5/5 stars, tuna melt 5/5 stars

An exercise in self-control


“The well-known food of Provence is summer food — the melons and peaches and asparagus, the courgettes and aubergines, the peppers and tomatoes, the aioli and bouillabaisse and monumental salads of olives and anchovies and tuna and hardboiled eggs and sliced, earthy potatoes on beds of multicolored lettuce glistening with oil, the fresh goat’s cheeses…

It had never occurred to us that there was a winter menu, totally different but equally delicious. The cold-weather cuisine of Provence is peasant food. It is made to stick to your ribs, keep you warm, and send you off to bed with a full belly…

It was a meal that we shall never forget; more accurately, it was several meals that we shall never forget, because it went beyond the gastronomic frontiers of anything we had ever experienced, both in quantity and length. It started with homemade pizza — not one, but three: anchovy, mushroom, and cheese, and it was obligatory to have a slice of each. Plates were then wiped with pieces torn from the two-foot loaves in the middle of the table, and the next course came out. There were pates of rabbit, boar, and thrush. There were saucissons spotted with peppercorns. There were tiny sweet onions marinated in a fresh tomato sauce. Plates were wiped once more and duck was brought in… We had entire breasts, entire legs, covered in dark, savory gravy and surrounded by wild mushrooms.

We sat back, thankful that we had been able to finish, and watched with something close to panic as plates were wiped yet again, and a huge, steaming casserole was placed on the table. This was the specialty of Madame our hostess — a rabbit civet of the richest, deepest brown — and our feeble requests for small portions were smilingly ignored. We ate it. We ate the green salad with knuckles of bread fried in garlic and olive oil, we ate the plump round crottins of goat’s cheese, we ate the almond and cream gateau that the daughter of the house had prepared. That night, we ate for England.”

When you read about food being described like that, you’ll be sorely tempted to eat the pages off the book!

The passage is from Book #37 for 2009: A Year in Provence by Peter Mayle, who is one of the best food and travel writers I’ve ever had the pleasure of reading. It’s also my book 6 in the Diversity Challenge (memoir).

This book wittily chronicles adventures in the French countryside as Peter Mayle and his wife move into a 200-year old stone farmhouse and live as the locals do, and it takes you right there with them.

The chapters are divided into months of the year, and each chapter regales you with engaging stories of settling into life in Provence: getting to know their neighbors, their first winter, renovating the house, farming, truffle-hunting, Provencal real estate, mailbox burglary, local markets, cycling, entertaining guests, ritual kissing, goat racing, and other comic anecdotes.

The highlight of the book is easily the cuisine: whether they’re in their own kitchen, out in the garden, at the neighbor’s house, in a cafe packed with tourists, or at a little-known haunt several hours’ drive away, the food is always glorious, glorious food described so vividly you can almost taste it.

The Mayles’ farmhouse (from www.petermayle.com)

If only I could pack my bags and move in with them, I’d do it in a heartbeat!

Googling the book, I found out on IMDB that it was adapted into a BBC series… Now that would be interesting to watch. I still have several Peter Mayle books in my TBR — I think I’ve got A Good Year, Toujours Provence, Anything Considered, A Dog’s Life and Hotel Pastis in there; I look forward to reading those this year.

***
My copy: trade paperback, mooched locally

My rating: 5/5 stars

Chasing Cezanne by Peter Mayle


This was the first Peter Mayle book I ever read, and I had no idea that he was a travel writer so I was in a totally different frame of mind when I read it, expecting an art heist thriller. But like all Mayle’s books, Chasing Cezanne is more like a travel book than anything else. It also reads like chick lit, which is kind of weird, because the protagonist is male.
The premise was really good: photographer Andre Kelly is off on a shoot when he sees a Cezanne being removed from the premises of a former client. He photographs this event and is embroiled in a chase for the missing painting.

Except that it’s got to be the most leisurely chase I’ve ever read — Andre and his gang (a fastidious art dealer, plus Andre’s love interest Lucy) stop to eat and sightsee (and sleep together) every chance they get, hehe.

The language is languid and dreamy, the descriptions are beautiful and picturesque. No rip-roaring chases here — the book is more like Under the Tuscan Sun than Da Vinci Code.

Even Cezanne is only incidental, you can substitute some other painter’s name in the title and the story wouldn’t change, that’s how little Cezanne. And there’s very little actual art discussed, other than the process of selling famous paintings and a bit of forgery (haha, Incognito was a great movie for that!). Actually I think even the mystery is only incidental, it was just a reason for Andre to get together with Lucy and romp from New York to Paris and the South of France.

Worth reading for the travelogue and food commentary — this is what Mayle does best, and he delivers commendably, but mystery lovers might feel shortchanged.

***
My copy: trade paperback upgraded into a hardcover with dust jacket

My rating: 3/5 stars

Photo courtesy of Amazon (http://ecx.images-amazon.com/images/I/5154TY62ARL.jpg)