Peter Rabbit and company (Picture Book Roundup #6)

I haven’t done a picture book roundup in nearly a month, so here’s one on my Beatrix Potter books (books 86-88 for 2009), because I recently found a great Peter Rabbit gift set at Book Sale

I didn’t really grow up on Beatrix Potter; I was familiar with her books (well, who wouldn’t be, they’re the best selling picture books of all time!) but I didn’t really pay attention to them until later on, I think when I was in high school, when my sister got The Tailor of Gloucester as a Christmas present and it became my favorite Beatrix Potter story.

The Tailor of Gloucester is similar to The Elves and the Shoemaker story, but in Beatrix Potter style, it involves a cat named Simpkin and a band of mice. The tailor needs to sew a coat for the Mayor of Gloucester, and has all the pieces cut out and laid out at his shop, but he is lacking one skein of cherry-colored silk.

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Currently reading: Beyond the Grave (The 39 Clues Book 4)

book4

Squee! Finally Book 4 of The 39 Clues series is here. I’ve been so excited to read this, after reviewing Maze of Bones and One False Note and The Sword Thief. I’m halfway through Beyond the Grave but I am reviewing it for Manila Bulletin so I won’t be able to post the review here just yet.

In the meantime, you’ll find ten things about the book beyond the cut. Don’t worry, no crucial spoilers!
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The Three Investigators

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Three Investigators endpapers, photo from www.empireonline.com

I just finished reading a 3-in-1 Three Investigators book containing The Mystery of the Flaming Footprints, The Mystery of the Coughing Dragon and The Mystery of the Singing Serpent (books 86-88 of 2009)

Before I even started reading Nancy Drew, I was hooked on the The Three Investigators series, because it was my older sister’s (Tattie’s) favorite series when she was in grade school and she always talked about it.

As soon as I had access to the bigger library (4th grade), I found a whole shelf of the books and I didn’t even have any competition – nobody was checking them out! Nobody my age had even heard about them – the last borrowers were a good five years or so back – and so I was able to read them in order.

I was hooked, and I ended up checking out two or three of them at a time (three was the maximum number we could check out at one time at the library, and I was one of the few girls who were pushing the limit and filling up back to back blue borrower’s cards).

In fact, I ended up reading so many them that my mom had to curtail my reading time to half an hour a night (depending on her mood) and only after I did my homework (and then eventually I was limited to reading ONLY during the weekends; I had a reading ban on weeknights while the rest of my siblings got TV ban and I couldn’t have cared less about the TV). This is, I think, the reason I learned to read fast (and read on a moving vehicle on the way to and from school), to maximize reading time.

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Making the mark

I’ve always wanted a way to establish my identity on my books. I usually scrawl my name and the date inside, but I’ve longed for a more “official” mark for a long time now,  and I’ve grown tired of running out of book plates and stickers to label my books.

I thought of a rubber stamp, but I didn’t really want to mess with ink, and I was still not sold on the self-inking kind. And then one day,  I mooched a book that had a dry seal on it, and I got the idea of having my own dry seal made for my library.

Luckily there was a dry seal maker next to the post office and I was finally able to get mine made yesterday.

The results? Here you go:

flyleaf
Yay!

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Frenching it up

Setting is one of the important factors that draw me to reading a book, especially when I’m trying out an author for the first time. I find that there are certain settings that appeal to me more than others, and sometimes, the setting alone influences my decision to purchase a book that I’ve never even heard of.

I’m particular about setting because by nature, I’m an escapist reader – I like getting lost in the imagery of the words, transported to the very heart of the story, forgetting for the moment the never-ending to do lists, looming deadlines, and the general chaos of daily life. The setting just makes everything so much more real for the imagination, bringing the plot and characters to life.

 

the escapist reader
the escapist reader

 

I like the centers of art: Florence (as in Sarah Dunant’s Birth of Venus, Diane Haeger’s The Ruby Ring) and Delft (Tracy Chevalier’s Girl with a Pearl Earring); the musical city of Vienna (Eva Ibbotson’s A Song for Summer and Star of Kazan); Spain, rife with mystery (Carlos Ruiz Zafon’s The Shadow of the Wind and Arturo Perez-Reverte’s The Club Dumas and The Fencing Master); the English countryside, sometimes romantic, other times forbidding (Dodie Smith’s I Capture the Castle, Eva Ibbotson’s The Morning Gift, Diane Setterfield’s The Thirteenth Tale); the vibrant Venice (Sarah Dunant’s In the Company of the Courtesan, Zizou Corder’s Lionboy, Donna Jo Napoli’s Daughter of Venice); and the exotic Morrocco (Barbara Hodgson’s The Tattooed Map, Zizou Corder’s Lionboy) or Greece (Eugene Trivizas’ The Last Black Cat).

The Italian countryside can be quite charming (Under the Tuscan Sun, Every Boy’s Got One), but for a rustic gastronomic adventure, books set in the French countryside always hit the spot for me, providing a heady experience of sights, sounds, tastes, and textures, as in Peter Mayle’s Chasing Cezanne and A Year in Provence; or Joanne Harris’ Chocolat.

Today’s books are non-fiction, but also set against the backdrop of pastoral France: Champagne: The Spirit of Celebration by Sara Slavin and Karl Petzke; and Sara Midda’s South of France: A Sketchbook (books #84-85 of 2009), both rummaged at Book Sale for P20 ($0.40) and P40 ($0.80) each, respectively (squee!).
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