I was fourteen when I first read Amy Tan’s Joy Luck Club, which was required reading for our Afro-Asian Literature class in sophomore year in high school . I remember reading the book, watching the film in class, and then writing a paper analyzing the tenets of Confucianism and Taoism as applied to the stories in the book.
I had to dig out my yellowed copy of Joy Luck Club last month, because our book club was scheduled to read it in time for a discussion that was synced with Repertory Philippines’ staging of the theatrical adaptation.
