graphic novel – Page 2

In the Shadow of No Towers

Spotting a sale sign at a bookstore always activates a panic button in me. It never fails to elicit that heart-pounding, wide-eyed excitement at the prospect of finding a book to add to my shelf, and after years of practice I think I’m fairly proficient at spotting a gem in the bargain bin. Still, I can never get enough of that heady feeling of getting a great book at an outrageously low price.

Just last month, after the Art inFiction book discussion, the Fully Booked Greenbelt branch was on sale, and because there was a line for our dinner table at Chili’s we couldn’t resist the lure of the bargain tables laid out in the storefront. Something shiny caught my eye as soon as I reached the table. Bingo — In the Shadow of No Towers by Art Spiegelman, and, hold your breath, at 80% off, marked down from P958 to under P200! (around $4, never mind that it’s a bit scuffed, it’s a ginormous board book!).

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Of Vampires and Werewolves

It’s a well-known fact that I harbor no love for the Twilight saga. To put it succinctly, among a host of other reasons, I am not a fan of the teen paranormal romance genre in general, I find Stephenie Meyer’s writing abhorrent, I prefer vampires who don’t sparkle (and pasty-faced Rob Pattinson doesn’t do anything for me, either, not that I would spend good money on any of the movies), and I consider Bella Swan one of the worst characters I’ve ever read in print (Twi-hards, please don’t spam me with hate messages!).

That said, I didn’t have high hopes for the Twilight graphic novel, which my boss lent me to review. I was curious for two reasons: local bookstores are having price wars to drive the sales of the books (there are even billboards for the book!); and I wanted to see how it was adapted visually, given its base material.

I also had a chance to review Maggie Stiefwater’s Shiver, which, despite my apprehensions, turned out to be a pleasant surprise.

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Re-gifters

As you well know, I’ve introduced a steady supply of graphic novels in my reading diet for the past few months and I’ve been enjoying the regular break from straight text. But because I still haven’t acquired the taste for graphic novels involving multiple volumes (except for Fables, which I’m planning on collecting via the annual deluxe editions), spandex-clad characters or ka-pow effects, I’ve been seeking out one-volume graphic novels to add to my growing collection.

I came across Re-gifters on BookMooch, looked it up and saw that it’s gotten good reviews, and had to have it shipped to my mom in California (because the moocher only sends to the US) and then waited for her to come home before I could get my hands on it. It turned out to be worth all the trouble!

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Blankets and Chunky Rice

Last year, the graphic novel was one of the new genres I started getting hooked on, and Craig Thompson has fast become one of my favorite graphic novel writer-illustrators.

I’ve been salivating over Blankets at the bookstore for years now, but it’s waaay out of my budget, and so it remains on my wishlist. A couple of years back, though, I was able to mooch Thompson’s Goodbye, Chunky Rice, and so I started with that.

Late last year, I finally got the chance to read Blankets, when Flipper friend Mike (aka GNP, or Geek and Proud) lent me his copy, along with his prized volumes of Maus. Of course, before I read Blankets, I felt a reread of Goodbye, Chunky Rice was in order, so I could review the two books side by side before I finally return Mike’s book this weekend (I returned Maus earlier), with gratitude for entrusting one of his favorite books to me for several months now. Continue reading “Blankets and Chunky Rice”

El Indio

el_indio_coverimage

If you’ve been a regular visitor to this site, you’ve probably noticed I’ve been slowly acquiring the taste for graphic novels, as more and more of them seem to be making their way to my shelves.

Last week I had the chance to read Francisco V. Coching’s El Indio, a action adventure “komiks” (local comics) series first published in Pilipino Komiks back in the ’50s, which is said to be the golden age of Philippine comics, which flourished until the declaration of Martial Law in the Philippines.

Francisco V. Coching dominated this era of comics, hailed by general consensus as the Philippines’ greatest komiks illustrator, with 61 komiks novels, all but 10 of which were turned into popular films. El Indio is one of Coching’s most popular works, the sequel to the komiks “Sabas, Ang Barbaro.”

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