Sucker-punched.

A Heart of Stone by Renate Dorrenstein
Book #27 for 2009
Book #4 for Diversity Challenge (American)

After reading The Dream Merchant, I felt a little loopy so I grabbed the first book off my TBR pile just so I could clear my mind, and I didn’t read the back cover (now that I read the summary, I am thinking it wouldn’t have helped) nor did I have any idea what the book was about, as I got it from the book swap at the last BMP party.

I wasn’t planning on reading it, but Tracy Chevalier’s recommendation on the cover (“moving, chilling, powerful”) caught my eye. It started out innocently enough, as a coming-of-age novel high on Americana and it was a compelling read. The protagonist, Ellen, is quite likeable, and I found myself smiling at the quaint family portrait she painted.

A few chapters into the book though, it becomes clear that there is something sinister lurking beneath the surface of the picture-perfect family, and the goosebumps started breaking out. There is a dark mystery at the heart of the book, something that happens after Ellen’s twelfth birthday that continues to haunt her twenty-five years later.

The passages alternate between homey and gruesome, in a disturbing medley. And as the dark family secret was starting to unravel, I couldn’t stop reading, although I was getting increasingly queasy and was stuffing my fist into my mouth to keep myself from screaming and/or getting sick. In a vile sort of way, the book is so engrossing it makes you read through all the trauma, until you feel like you’ve experienced it all as well.

I don’t think I’ll read it again because the first time was traumatizing enough, but it was a very good read that was gripping from start to finish.

***
my copy: trade paperback, now on my BookMooch inventory

my rating: 4/5 stars

Rashomon and Other Stories by Ryunosuke Akutagawa

Book 6 of 2009
Asian book #1 of Diversity Challenge
My first encounter with Ryunosuke Akutagawa was back in freshman English, in my Intro to Fiction Class, when we read “In a Grove.”
I remember we had small group discussions about it, and I couldn’t concentrate because this guy I was crushing on was sitting next to me (tee hee hee) but I remember someone saying that the story was the same as the Japanese film Rashomon by Akira Kurosawa (The film was based largely on In a Grove, incorporating some elements from the short story Rashomon).
I still haven’t seen the movie, but I chanced upon this Akutagawa anthology at Book Sale and it was a 1970 edition (Liveright paperback) with some notes pencilled in the margins, but it was about P40, and I knew I wouldn’t come across it again. (I googled the name pencilled in the inside cover and apparently she’s an American minister of some religious congregation… Oh, in case you’re wondering, I started doing that sort of thing — googling the names inside old books– after watching Whisper of the Heart, hee hee hee).
Ryunosuke Akutagawa was a writer in the modern period (early 20th century) who was disturbed by Japan’s industrialization, and writing was his way of response, with over a hundred works to his name, before committing suicide at the age of 35.
The book contains six medieval Japanese short stories: In a Grove, Rashomon, Yam Gruel, The Martyr, Kesa and Morito, and The Dragon, a varied collection dealing with different aspects of societal values and human psychology. Authentic illustratiions (by M. Kuwata) are interspersed throughout the text.
In a Grove is easily the frontispiece to this collection — it is a tale of crime (rape, murder and suicide) told from five different perspectives. I like the story’s philosophical exploration into the nature of truth — how it is impossible to know the absolute truth, and how easy it is to blur the lines with memory, human desires and motivations, and personal biases.
The next story features the Rashomon, the largest gate marking entry into Japan’s ancient capital, Kyoto. The gate crumbled with the decline of Kyoto, and the Rashomon soon became a nest for thieves and criminals, as well as a place to dump unclaimed corpses. A recently laid off servant vwitnesses an old hag stealing hair from corpses to make a wig, and the encounter changes his life.
Yam Gruel features a bumbling protagonist whose greatest ambition was to eat his fill of this aristocratic delicacy. When he is presented with an opportunity to fulfill his ambition, however, things do not go the way he imagined.
The Martyr was a surprise because of its Christian (and Jesuit, at that) roots – apparently Akutagawa liked dramatizing existing texts and events, and this one was based on volume two of the book Legenda Aurea. This is the story I least enjoyed — probably because it was less subtle in the moralistic aspect.
Kesa and Morito, I read somewhere, was based on a real affair. Kesa and Morito are illicit lovers, and Morito is driven to kill Kesa’s husband. Here’s the quandary — he doesn’t hate the man and he doesn’t love Kesa but he feels Kesa is compelling him to do it. Kesa doesn’t love Morito either, but is fascinated because Morito mirrors the ugliness she sees in herself. Out of guilt, Kesa switches with her husband on the night Morito comes to kill him. It’s also fascinating how the story tests the very thin line between love and hate.
The Dragon is more of a folk tale, like something out of JK Rowling’s Tales of Beedle the Bard. It was also lighter and more humorous than the rest, dealing with a fellow with a big nose who got so tired of being teased about it that he pulls the prank of the century!
I do not read many anthologies because I like meaty novels I can sink my teeth into, but I enjoyed this book, because while the stories offer a moralistic viewpoint, they pose philosophical questions that encourage the reader to ponder the situations presented and reassess his or her own values.
***
my copy: Liveright paperbound edition, 1970
my rating: 5/5 stars

Photo courtesy of: http://www.redvicmoviehouse.com/images/poster/rashomon.jpg (poster)

Wendy by Karen Wallace

Karen Wallace’s Wendy is a novel inspired by the children’s classic Peter Pan, but it is no fairy tale. It is a story of Wendy in a real world, in the dark late Victorian period — A Wendy that has to deal with domestic problems such as child abuse, parental indiscretions, alcoholism, family problems, and other social issues.

I wouldn’t actually recommend it for younger readers, because the summary on the back of the book doesn’t give one a clue that it’s not a tale of magic and wonder… It might actually be quite traumatic for the younger reader, because Wendy’s pain and the poignancy of the story is all too real.

It’s a good read for those who can appreciate it however. Wendy is a troubled child who lives in a world that forces her to grow up, and her best friend Thomas is a 15-year old boy with a case of autism, her very own Peter Pan.

It’s a clever adaptation, neurotic at times, but moving to the end.

***
My copy: trade paperback, a bit spotty now after living in Enzo’s dorm for about a year… (Brothers, harr…)

My rating: 3/5 stars