Taking fan art to the next level

In May last year, the Flippers’ first book discussion was on the book Life of Pi by Yann Martel.

Before the discussion, I’d seen the book around but never felt the urge to pick it up. I rarely pick up books with spiritual/ inspirational themes because they trigger an involuntary gag reflex in me, so I was dreading reading this book.

Surprisingly, the gagging never came because I actually liked the book. Not in a love-it-to-bits sense, but I appreciated it, and was glad the book discussion required me to read it.

Life of Pi is the story of Piscine “Pi” Molitor Patel, a boy of multiple religions, who is a shipwreck survivor floating adrift in the ocean on a lifeboat with a circus tiger named Richard Parker.

I like the book because it questions perception, and because it reminds us that sometimes the journey is more important than the destination.

To my surprise, I also enjoyed the book’s humor. I really appreciate good humor in a book, and I did not expect this book to make me laugh, but it did, especially the part when Pi was practicing the three religions and the family runs into all three religious leaders and his multi-belief system is revealed; the Pi Patel Indo-Canadian, Trans-Pacific, Floating Circus; the encounter with the Frenchman (whom Pi mistook to be Richard Parker at first); and the interrogation scene at the end of the book.

But this review isn’t about the story of Life of Pi, it’s about a particular edition of the book: the deluxe illustrated edition, featuring the paintings of Croatian Tomislav Torjanac.

In 2005, an international competition was launched to find an illustrator for the novel. Thousands of entries were sent in from all over the world, and Torjanac was selected to illustrate the deluxe edition.

From Amazon Outtakes:

The book includes over 40 illustrations in oil, taken from Pi’s perspective (Pi is never seen in the illustrations, just his hands and feet), documenting his bizarre journey in vibrant color.

Here are some illustrations, from http://www.torjanac.com/lifeofpi.html and http://lifeofpi.co.uk (copyright Tomislav Torjanac)

Lord, avert their eyes from me, I whispered in my soul.
I threw the mako towards the stern.
“There goes our lunch.”

I think it’s great, how Yann Martel and the publishers thought of involving readers this way. I can imagine the feeling, if for instance, JK Rowling did it for one of the Harry Potter books (or if a local publisher comes up with a Filipino translation and mounted a similar contest — hahaha, my fantasy), or if any of my other favorite books were up for illustration.

I would think it’s exciting and scary at the same time, to be given a chance to illustrate a a new edition of a book you’ve loved for a long time, with the knowledge that hundreds of people around the world have loved it too and are eagerly awaiting your illustrations.

I remember a discussion about illustrated novels posted at Flips Flipping Pages last year. Someone commented that a lot of bestsellers are getting illustrated, and he wasn’t quite sure if it was a marketing ploy, or if readers had such short attention spans that they needed to have books with pictures. b

Those reasons probably hold true, and I say, if it gets more people to read, so much the better.

But speaking as an illustrator, I see the illustrations as an extension of the reading experience, not mere accompaniments to the text. Illustrations translate one art form (literature) into another (visual art), much like a book made into a movie, and can convey a meaning beyond the text, as the illustrator adds his or her own nuances in interpreting the text.

And speaking as a big fan (and obsessive bargain-hunting collector) of illustrated novels, I say there is nothing wrong with enjoying an illustrated book; it doesn’t mean you lack imagination or need a visual aid. It’s about appreciating it for what it is – art!

***
My copy: hardbound US (Harcourt) with dustjacket, a birthday gift from Triccie
(Back story: I lent my brother my trade paperback, he took it to his dorm and it was devoured by termites — he now grovels if he wants to borrow a book)

My rating: Life of Pi Illustrated Edition 5/5 stars; Life of Pi trade paperback 3.5/5 stars

The Virgin Blue by Tracy Chevalier

The Virgin Blue reminded me of Labyrinth because of the split narratives between Isabelle Du Moulin and Ella Turner, and their familial ties. Isabelle Du Moulin is from the Protestant Reformation in 16th century France while Ella Turner is from the present day. As the story unfolds, the connection between the two women unfolds as well.

The book is Chevalier’s first novel, maybe that’s why it’s not as polished as the other two I’ve read…. It’s not as introspective as Girl with A Pearl Earring, or as fluidly narrative as The Lady and the Unicorn.

Nevertheless, the book gives an interesting glimpse into the lives of the two women, the historical ties that bind them, and a haunting family secret that makes its presence felt centuries later. Made for good airplane reading :)

***
My copy: faded trade paperback from Book Sale

My rating: 3.5/5 stars

Girl with a Pearl Earring by Tracy Chevalier

Some stories are driven by their plots; Girl with a Pearl Earring is driven by the sensory experience it provides the reader.

16-year old Griet is a Dutch girl who comes to serve as a maid in the house of the painter Johannes Vermeer. Her keen perception and artistic sensibilities allows her access into Vermeer’s inner sanctum: his painting studio, where she eventually becomes the master’s assistant.

On top of her work inside the studio, Griet must contend with household duties and serve Vermeer’s temperamental wife Catharina, his shrewd mother-in-law Maria Thins, the maid Tanneke, as well as Vermeer’s growing brood of children.

Griet is on the brink of becoming a woman, and has to deal with growing attentions of the local butcher’s son and Vermeer’s patron van Ruijven. And as Griet becomes more intimate with the master Vermeer, disruption and jealousy erupt within the household, and ripple in the world beyond.

I was fascinated by the novel because aside from the typical coming-of-age elements (discovery of sensuality, angst, etc), it deals with artistic awakening. Griet was innately artistic, with her predilection for arranging vegetables by color. She had an eye for art, as Vermeer noticed himself. Thus she was promoted from mere studio-cleaner to artistic assistant and eventually to Vermeer’s sitting model. And she learns to see how Vermeer sees, and understands how a real artist doesn’t paint something according to how the rest of the world sees it…

Because Griet has a real eye for detail, the imagery is so rich that you can picture so much in your mind: Griet’s favorite tile, the blood caked between the butcher’s fingers, the scalloped edges of a tortoiseshell comb, Vermeer’s gray eyes, the meat market on a busy day… It’s terrific how a book can transport you to a different world, and make you see it in Griet’s eyes.

She develops an attraction to Vermeer, and I love the way she doesn’t come right out and say it, but you can read through her thoughts and feel it. There’s a part in the novel where he’s teaching her to mix paint, and you can practically reach out and touch the electricity crackling in her…

Sigh, what else can I say? Art is the best romance.

***
There’s a movie version, starring Scarlett Johansson and Colin Firth, and it’s every bit as good as the book. Excellent cinematography!

***
My copy: originally an old creased trade paperback bought at Book Sale, replaced with a second trade paperback in better condition, then upgraded to a hardcover copy (with dustjacket), mooched from the US

My rating: 5/5 stars