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Wanted: New INKies!
about 3 months ago - 1 comment
Philippine children’s illustrators group Ang Ilustrador ng Kabataan (Ang INK) is currently open for new members! To apply for membership, just email all requirements (see below) to hello@ang-ink.org Deadline on February 29, 2012, 5pm Requirements: 1.) Accomplished application form: https://docs.google.com/viewer?a=v&pid=explorer&chrome=true&srcid=0BxLm2kIWpJrpMWQyNmU3NWEtODAyYy00ZWVmLTk0YmUtMzEwNzk4ZjI4YzQx&hl=ja 2.) 1 illustration based on the story “Anong Gupit Natin Ngayon” http://www.pbby.org.ph/downloads/pbby_anong-gupit-natin-ngayon_2011.pdf 3.) 5 sample
Ang INK Turns 20!
about 5 months ago - 2 comments
Children’s illustrators’ group Ang Ilustrador ng Kabataan (Ang INK) celebrates 20 years of Philippine Children’s Book Illustration with “20 Taon,” an exhibit at Ayala Museum, which opens tomorrow night and runs until Jan 15. Here’s the official announcement from Ang INK: Many of the illustrations in “20 Taon” are from bestselling books from major Philippine
Ta da da dum…
about 8 months ago - 35 comments
Got a lovely surprise delivered to the office yesterday! Ta da da dum… Ta da da dum…. It’s heeeeeere! Forgive the shameless plug, it’s not everyday I get a book released! :) Ang Pag-ibig ni Maryang Sinukuan is a book in the latest set of Anvil Publishing’s Lola Basyang series, stories written by Severino
The Lost Language
about 1 year ago - No comments
Back in December, the Filipino book bloggers met up with Marianne Villanueva, who is one of the most delightful authors I’ve ever had the chance to meet. I got a signed copy of her book, The Lost Language: Stories (and in nice paper, too!) and I finally got to read it earlier this year. If
Jose Aruego Roundup
about 1 year ago - 10 comments
When I was in third grade, our class was sent to the audio-visual room for a storytelling session of the picture book Juan and the Asuangs. The story was frightfully fascinating — a young boy named Juan outsmarts several asuangs, which are Philippine mythical creatures, often of the blood-sucking variety. I have not seen that
Caricatures
about 1 year ago - 6 comments
This is our book club, Flips Flipping Pages, as caricatured by my good friend (and surrogate book club big sister) Ajie Taduran (see, I told you my friends are brilliant!) after one of our book discussions last year. Can you find me in the cartoon? And this is me, drawn by Ajie because I got
Banned Books Week (and the naked Mickey!)
about 1 year ago - 10 comments
September 25 to October 2 is Banned Books Week, an annual event that celebrates the freedom to read. Spearheaded by the American Library Association, the celebration of Banned Books Week emphasizes intellectual freedom, “the freedom to access information and express ideas, even if the information and ideas might be considered unorthodox or unpopular.” Growing up
Hearing Voices
about 1 year ago - 4 comments
I like good, strong voices in fiction. I like characters that ring true, make a distinct impression, and keep me engaged in the story. In the past week, I read The Virgin Suicides by Jeffrey Eugenides and The Lacemaker and the Princess by Kimberley Brubaker Bradley. These two novels each offered a unique point of view:
Happy National Children’s Book Day!
about 1 year ago - 11 comments
Every third Tuesday of July, the Philippine Board on Books for Young People (PBBY), the organization committed to the development of children’s literature in the Philippines, leads the celebration of National Children’s Book Day, commemorating the anniversary of the publication of Jose Rizal’s The Monkey and the Turtle in Trubner’s Oriental Record in London. Rizal’s
Edward Gorey
about 1 year ago - 3 comments
Edward Gorey is one of my favorite writer-illustrators. I love his lyrical and wickedly macabre stories — like a twisted Edward Lear or Lewis Carroll) and his equally macabre pen and ink illustrations! I’ve blogged about acouple books of his in the past — Old Possum’s Book of Practical Cats (illustrations) and The Curious Sofa










Yodelayheehoo! (The Very Persistent Gappers of Frip)
Lane Smith (of The Stinky Cheese Man and Other Fairly Stupid Tales, Hooray for Diffendoofer Day, The True Story of the Three Little Pigs and many others) is one of my all-time favorite illustrators, and I’ve got a growing collection of his books (mostly the result of foraging in bargain bins!).
I’d been eyeing the book The Very Persistent Gappers of Frip by George Saunders (illustrated by Lane Smith) at a specialty bookstore for ages. Earlier this year, I finally scored a copy at one of the book store sales for only P59!
The creepy gappers are small orange burr-like creatures with many eyes that stick to goats and prevent them from giving milk. Every day, the children of Frip had to brush dozens gappers off their goats eight times over, gather them in a sack, and dump them off the cliff into the sea. And every night, the very persistent gappers would edge their way up the cliffs, back into the goatyards, and onto the poor goats.
Life is a routine for the citizens of Frip, especially for the overworked children, until the very persistent gappers make up their minds to concentrate their infestation efforts on the goats closest to the cliff — Capable’s herd. Capable turns to her neighbors to help her stop the gapper infestation, and Frip is never the same again.
I liked the simplicity of the story, which makes it enjoyable on different levels, delivering on the promise it makes on the dust jacket: an “adult story for children, a children’s story for adults.” On the one hand it’s an outlandish and funny story about determination and community spirit, and on the other it’s a thought-provoking commentary on social classes and the struggle between the haves and the have-nots.
The deadpan narration and dialogue is hilarious, creating a fun and non-cutesy fairy tale for the modern audience. Capable is a feisty heroine, one of the most endearing I’ve ever come across, and certainly very memorable.
Lane Smith’s whimsical, mixed media illustrations are lush and evocative, complementing the story perfectly. The palette is more muted than Smith’s other children’s books — the trademark browns are more on the fawn shades than the usual ochres, and very limited yellows – and the illustrations less [in-your-face] cheeky (although still sufficiently cheeky!), leaning towards surrealism. The quiet beauty of the illustrations is breathtaking and captures the mood of the story, adding subtle nuances to the themes Saunders lays down.
It’s a wonderful book to add to my Lane Smith collection, and an awesome read for the week!
***
My copy: hardcover, missing dust jacket
My rating: 5/5 stars
*book photos from Amazon, footer from Lane Smith’s website