Reading something old, something new, something borrowed, and something blue
Posts tagged picture book
Picture Book Roundup: letters, numbers, and apostrophes
Jun 30th
I’ve missed doing picture book roundups, and I don’t think I’ve done a proper one yet this year so here’s a bunch of picture books I’ve enjoyed recently: Stephen T. Johnson’s Alphabet City, its companion book City By Numbers, and The Girl’s Like Spaghetti (Why, you can’t manage without apostrophes!) by Lynne Truss (illustrated by Bonnie Timmons).
The books were shamelessly scavenged, as usual — I’d been wanting a copy of Alphabet City for a long time and finally got it via BookMooch, and shortly after found a copy of City By Numbers for a very cheap P40 (less than $1) at a bargain bookstore. Then a few weeks back, I found Girl’s Like Spaghetti for P35! Wonderful additions to my ragtag picture book collection, none of which I buy brand new or full-priced, tee hee hee.
About Alice
Mar 8th
I just saw Tim Burton’s Alice in Wonderland today, and much like the Sherlock Holmes movie some months ago, it’s not part of the canon, although it does borrow much of Lewis Carroll’s Alice is 19, doesn’t remember any of her “Wonderland” adventures, and falls down the rabbit hole again as she flees from a marriage proposal from the foppish Hamish. Alice must fulfill the prophecy in the oraculum and slay the Jabberwocky to save Underland from the evil Red Queen.
Like all Tim Burton Films, it’s a visual spectacle, and I credit him that. I liked the Cheshire Cat, the Blue Caterpillar (Alan Rickman!), and the Red Queen, not so much the jaded Alice, the depressing Mad Hatter (as much as I love Johnny Depp, I don’t like his Wonka and his Mad Hatter and they both seem like the same eerie caricatures on crack), or the hammed up White Queen. With this grown up version of Alice, I missed the heart and whimsicality of the original Alice, and I wouldn’t trade that for all the visual effects in the world.
More Po-Mo picture books (Picture book roundup 10)
Nov 29th
I’ve been fascinated with postmodern picture books ever since I took a course in children’s books back in college. Since then I’ve been building up my collection of po-mo picture books, and I’ve now got over 20 of them, mostly from rummaging through bargain bins.
I love how po-mo picture books challenge the reader to look at things in a different way, offering an enjoyable experience to both the young reader, the parent reading to the child, and even an older reader randomly picking up the book and flicking through the pages.
The multiplicity of meanings also encourages creativity and imagination in constructing the meaning of the text or illustrations, as well as the interest to reread a book.
I also marvel at the writers and illustrators’ creativity in taking the craft of picture books one step further, defying convention and structure
I have several books in this picture book roundup: The Story of a Little Mouse Trapped in a Book by Monique Felix; Wolves by Emily Gravett; Zoom and Re-Zoom by Istvan Banyai; Bamboozled by David Legge; and Pinocchio the Boy, or Incognito in Collodi by Lane Smith (books 175-180 for 2009).
(In case you missed it, I previously discussed the characteristics of po-mo picture books in the post I did on The Three Little Pigs.)
All about Seuss
Jul 27th
Last Saturday, our book club Flips Flipping Pages held our July book discussion on one of my childhood favorites, Dr. Seuss. I’d been looking forward to this discussion because we haven’t tackled any children’s books yet in a year of book discussions, and I was part moderator of this one, where I took on the discussion of the art of Dr. Seuss.
As a child, I was fortunate enough to attend a school with a principal that had special interest in children’s books, and so our library was well-stocked with the best of them. I remember discovering the Dr. Seuss section when I was in first grade, and I spent many happy hours in the library — well, happy for me, not for the maid who waited for me for hours at the gate, because I didn’t want to go home yet so I evaded her for as long as I can. Hehe.
For this particular discussion, I read three Dr. Seuss books (books #114-116 of 2009): How the Grinch Stole Christmas by Dr. Seuss; Seuss, the whole Seuss, and nothing but the Seuss: A Visual Biography of Theodore Seuss Geisel by Charles D. Cohen; and Hooray for Diffendoofer Day by Dr. Seuss, Jack Prelutsky, and Lane Smith.
Curiouser and curiouser…
Feb 12th
The Curious Sofa: A Pornographic Work by Ogdred WearyBook #29 of 2009
I took a break from reading In the Company of the Courtesan first, as I dropped by Mall of Asia after work to hit Book Sale, and get my stash of “carmel”-cheddar popcorn from the Chicago Popcorn Shops (yum!) with my sister.
So I got home around 10 and stretched out on the padded divan with The Curious Sofa. When I picked it up at Book Sale, I actually recognized Edward Gorey’s illustration style instantly, so it was a cinch to figure out that Ogdred Weary was a pseudonym, an anagram of his name.
To those who don’t recognize him, Edward Gorey is an artist/writer known for his macabre pen and ink illustrations and over a hundred books, the type that blur the line between adult books and children’s books.
The Curious Sofa instantly caught my attention due to the subtitle (a pornographic work), so of course I had to buy it, haha, I thank my lucky book-scavenging stars that it was only P25 (Squee!).
The book is about a young woman named Alice, who meets the well-endowed Herbert in the park, and they hop from place to place and are joined by more and more “well-endowed” people, and they all do, erm, “naughty” things together.
“Naughty” is in quotation marks because Gorey leaves it to the reader’s imagination. The picture book is actually as just as pornographic as you think it is, because while it makes a lot of suggestions, it doesn’t actually contain anything overtly pornographic, and the characters could all be twiddling their thumbs or having wild wild sex, depending on how much fun you want to have with the book.
Curiously (pun intended), the book reminds me of one other book on my shelf — Audrey Niffenegger’s The Three Incestuous Sisters, which is about six times the size of this book. I got my copy at the National Book Store cut price sale, for P299.
The Three Incestuous Sisters is in full color, albeit a muted palette and sepia undertones, painstakingly created using watercolor and a technique called aquatint, where a pattern is scratched through a layer of wax on a zinc plate. The plate is then submerged in an acid bath. The acid erodes the zinc where the pattern is scratched and creates grooves for the ink to fall into to create a print. No wonder it took Niffenegger 14 years to finish the book! The paintings are haunting, and bizarrely beautiful at the same time.
Niffenegger (author of The Time Traveler’s Wife), calls it a novel in pictures. It tells a twisted story of three sisters who lived by the sea: Ophile, the smart one; Clothilde, the talented one; and the youngest, Bettine, the pretty one. When Ophile and Bettine fall in love with the same man, the storyline goes off on a surreal tangent, as tragedy after tragedy strikes, and the sisters’ relationship is never the same again.Both books employ the noir style and surrealism, although The Curious Sofa was some three decades ahead, copyrighted in 1961. They differ in tone, though, as Gorey’s work is cheeky and humorous while Niffenegger’s is evocative, and deep-seated in emotion.
I lean more towards Gorey though, as I felt really drained after reading The Three Incestuous Sisters, as if I’d absorbed all the emotions flying around in the book. And also because I’m not a big fan of the surreal; there’s just a point where it becomes hokey to me.
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My copies: The Curious Sofa, hardbound; The Three Incestuous Sisters, hardbound
My rating: The Curious Sofa, 5/5 stars; The Three Incestuous Sisters, 4/5 stars
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