Setting is one of the important factors that draw me to reading a book, especially when I’m trying out an author for the first time. I find that there are certain settings that appeal to me more than others, and sometimes, the setting alone influences my decision to purchase a book that I’ve never even heard of.
I’m particular about setting because by nature, I’m an escapist reader – I like getting lost in the imagery of the words, transported to the very heart of the story, forgetting for the moment the never-ending to do lists, looming deadlines, and the general chaos of daily life. The setting just makes everything so much more real for the imagination, bringing the plot and characters to life.
- the escapist reader
I like the centers of art: Florence (as in Sarah Dunant’s Birth of Venus, Diane Haeger’s The Ruby Ring) and Delft (Tracy Chevalier’s Girl with a Pearl Earring); the musical city of Vienna (Eva Ibbotson’s A Song for Summer and Star of Kazan); Spain, rife with mystery (Carlos Ruiz Zafon’s The Shadow of the Wind and Arturo Perez-Reverte’s The Club Dumas and The Fencing Master); the English countryside, sometimes romantic, other times forbidding (Dodie Smith’s I Capture the Castle, Eva Ibbotson’s The Morning Gift, Diane Setterfield’s The Thirteenth Tale); the vibrant Venice (Sarah Dunant’s In the Company of the Courtesan, Zizou Corder’s Lionboy, Donna Jo Napoli’s Daughter of Venice); and the exotic Morrocco (Barbara Hodgson’s The Tattooed Map, Zizou Corder’s Lionboy) or Greece (Eugene Trivizas’ The Last Black Cat).
The Italian countryside can be quite charming (Under the Tuscan Sun, Every Boy’s Got One), but for a rustic gastronomic adventure, books set in the French countryside always hit the spot for me, providing a heady experience of sights, sounds, tastes, and textures, as in Peter Mayle’s Chasing Cezanne and A Year in Provence; or Joanne Harris’ Chocolat.
Today’s books are non-fiction, but also set against the backdrop of pastoral France: Champagne: The Spirit of Celebration by Sara Slavin and Karl Petzke; and Sara Midda’s South of France: A Sketchbook (books #84-85 of 2009), both rummaged at Book Sale for P20 ($0.40) and P40 ($0.80) each, respectively (squee!).
Continue reading “Frenching it up”
