In May last year, the Flippers’ first book discussion was on the book Life of Pi by Yann Martel.

Before the discussion, I’d seen the book around but never felt the urge to pick it up. I rarely pick up books with spiritual/ inspirational themes because they trigger an involuntary gag reflex in me, so I was dreading reading this book.

Surprisingly, the gagging never came because I actually liked the book. Not in a love-it-to-bits sense, but I appreciated it, and was glad the book discussion required me to read it.

Life of Pi is the story of Piscine “Pi” Molitor Patel, a boy of multiple religions, who is a shipwreck survivor floating adrift in the ocean on a lifeboat with a circus tiger named Richard Parker.

I like the book because it questions perception, and because it reminds us that sometimes the journey is more important than the destination.

To my surprise, I also enjoyed the book’s humor. I really appreciate good humor in a book, and I did not expect this book to make me laugh, but it did, especially the part when Pi was practicing the three religions and the family runs into all three religious leaders and his multi-belief system is revealed; the Pi Patel Indo-Canadian, Trans-Pacific, Floating Circus; the encounter with the Frenchman (whom Pi mistook to be Richard Parker at first); and the interrogation scene at the end of the book.

But this review isn’t about the story of Life of Pi, it’s about a particular edition of the book: the deluxe illustrated edition, featuring the paintings of Croatian Tomislav Torjanac.

In 2005, an international competition was launched to find an illustrator for the novel. Thousands of entries were sent in from all over the world, and Torjanac was selected to illustrate the deluxe edition.

The book includes over 40 illustrations in oil, taken from Pi’s perspective (Pi is never seen in the illustrations, just his hands and feet), documenting his bizarre journey in vibrant color.

Here are some illustrations, from http://www.torjanac.com/lifeofpi.html and http://lifeofpi.co.uk (copyright Tomislav Torjanac)

I think it’s great, how Yann Martel and the publishers thought of involving readers this way. I can imagine the feeling, if for instance, JK Rowling did it for one of the Harry Potter books (or if a local publisher comes up with a Filipino translation and mounted a similar contest — hahaha, my fantasy), or if any of my other favorite books were up for illustration.

I would think it’s exciting and scary at the same time, to be given a chance to illustrate a a new edition of a book you’ve loved for a long time, with the knowledge that hundreds of people around the world have loved it too and are eagerly awaiting your illustrations.

I remember a discussion about illustrated novels posted at Flips Flipping Pages last year. Someone commented that a lot of bestsellers are getting illustrated, and he wasn’t quite sure if it was a marketing ploy, or if readers had such short attention spans that they needed to have books with pictures. b

Those reasons probably hold true, and I say, if it gets more people to read, so much the better.

But speaking as an illustrator, I see the illustrations as an extension of the reading experience, not mere accompaniments to the text. Illustrations translate one art form (literature) into another (visual art), much like a book made into a movie, and can convey a meaning beyond the text, as the illustrator adds his or her own nuances in interpreting the text.

And speaking as a big fan (and obsessive bargain-hunting collector) of illustrated novels, I say there is nothing wrong with enjoying an illustrated book; it doesn’t mean you lack imagination or need a visual aid. It’s about appreciating it for what it is – art!

***
My copy: hardbound US (Harcourt) with dustjacket, a birthday gift from Triccie
(Back story: I lent my brother my trade paperback, he took it to his dorm and it was devoured by termites — he now grovels if he wants to borrow a book)

My rating: Life of Pi Illustrated Edition 5/5 stars; Life of Pi trade paperback 3.5/5 stars

The Curious Sofa: A Pornographic Work by Ogdred Weary
Book #29 of 2009

I took a break from reading In the Company of the Courtesan first, as I dropped by Mall of Asia after work to hit Book Sale, and get my stash of “carmel”-cheddar popcorn from the Chicago Popcorn Shops (yum!) with my sister.

So I got home around 10 and stretched out on the padded divan with The Curious Sofa. When I picked it up at Book Sale, I actually recognized Edward Gorey’s illustration style instantly, so it was a cinch to figure out that Ogdred Weary was a pseudonym, an anagram of his name.

To those who don’t recognize him, Edward Gorey is an artist/writer known for his macabre pen and ink illustrations and over a hundred books, the type that blur the line between adult books and children’s books.

The Curious Sofa instantly caught my attention due to the subtitle (a pornographic work), so of course I had to buy it, haha, I thank my lucky book-scavenging stars that it was only P25 (Squee!).

The book is about a young woman named Alice, who meets the well-endowed Herbert in the park, and they hop from place to place and are joined by more and more “well-endowed” people, and they all do, erm, “naughty” things together.

“Naughty” is in quotation marks because Gorey leaves it to the reader’s imagination. The picture book is actually as just as pornographic as you think it is, because while it makes a lot of suggestions, it doesn’t actually contain anything overtly pornographic, and the characters could all be twiddling their thumbs or having wild wild sex, depending on how much fun you want to have with the book.

Curiously (pun intended), the book reminds me of one other book on my shelf — Audrey Niffenegger’s The Three Incestuous Sisters, which is about six times the size of this book. I got my copy at the National Book Store cut price sale, for P299.

The Three Incestuous Sisters is in full color, albeit a muted palette and sepia undertones, painstakingly created using watercolor and a technique called aquatint, where a pattern is scratched through a layer of wax on a zinc plate. The plate is then submerged in an acid bath. The acid erodes the zinc where the pattern is scratched and creates grooves for the ink to fall into to create a print. No wonder it took Niffenegger 14 years to finish the book! The paintings are haunting, and bizarrely beautiful at the same time.

Niffenegger (author of The Time Traveler’s Wife), calls it a novel in pictures. It tells a twisted story of three sisters who lived by the sea: Ophile, the smart one; Clothilde, the talented one; and the youngest, Bettine, the pretty one. When Ophile and Bettine fall in love with the same man, the storyline goes off on a surreal tangent, as tragedy after tragedy strikes, and the sisters’ relationship is never the same again.

Both books employ the noir style and surrealism, although The Curious Sofa was some three decades ahead, copyrighted in 1961. They differ in tone, though, as Gorey’s work is cheeky and humorous while Niffenegger’s is evocative, and deep-seated in emotion.

***
My copies: The Curious Sofa, hardbound; The Three Incestuous Sisters, hardbound

My rating: The Curious Sofa, 5/5 stars; The Three Incestuous Sisters, 4/5 stars

Book #20 for 2009: The Tattooed Map by Barbara Hodgson

After my first illustrated novel of the year turned out to be a dud, I was wary of reading another one, lest it turns out to be a disappointment again.

To my pleasure, I warmed right up to The Tattooed Map, a beautiful squarish book full of maps, photos, scribblings, and other ephemera.

The Tattooed Map is the journal of Lydia Usher, a Canadian traveler who explores North Africa with her friend and former lover Christopher.

She wakes up in their hotel room one day to find what she thinks is a cluster of flea-bites on her hand. Days pass and she realizes the marks have formed into a map spreading from her hand to her body like a tattoo.

Lydia suddenly disappears and Christopher takes up her journal in the hopes of finding her, or at least a clue to her whereabouts. He soon discovers that it is no prank of Lydia’s, and as he is drawn deeper into the web of mystery, he realizes there are strange forces at work.

I really liked this book because it was the right blend of travelogue, art and mystery. Lydia leads such an enviable life. Her research takes her to exotic places, she takes off at a moment’s notice, and never seems to run out of pocket money. Her compulsive habit of taking scrupulous travel notes take you right there with her, and her candid observations allow you to visualize the places she goes to and the people she meets.

The other half of the journal is continued by a befuddled Christopher, up until the tumultous ending that makes you want to cry out “Sequel! Sequel!” after reading that last sentence.

For a first novel, The Tattooed Map doesn’t disappoint, and I am eagerly adding Barbara Hodgson to the list of authors whose works I am collecting. It’s good I have one more book of hers in my TBR: Hippolyte’s Island. I think I’ll save that for a time when I’m in dire need of a good read.

***
My copy: hardcover, about P140

My rating: 4.5/5 stars