Reading something old, something new, something borrowed, and something blue
Posts tagged graphic novel
In the Shadow of No Towers
Jun 18th
Spotting a sale sign at a bookstore always activates a panic button in me. It never fails to elicit that heart-pounding, wide-eyed excitement at the prospect of finding a book to add to my shelf, and after years of practice I think I’m fairly proficient at spotting a gem in the bargain bin. Still, I can never get enough of that heady feeling of getting a great book at an outrageously low price.
Just last month, after the Art inFiction book discussion, the Fully Booked Greenbelt branch was on sale, and because there was a line for our dinner table at Chili’s we couldn’t resist the lure of the bargain tables laid out in the storefront. Something shiny caught my eye as soon as I reached the table. Bingo — In the Shadow of No Towers by Art Spiegelman, and, hold your breath, at 80% off, marked down from P958 to under P200! (around $4, never mind that it’s a bit scuffed, it’s a ginormous board book!).
Of Vampires and Werewolves
May 8th
It’s a well-known fact that I harbor no love for the Twilight saga. To put it succinctly, among a host of other reasons, I am not a fan of the teen paranormal romance genre in general, I find Stephenie Meyer’s writing abhorrent, I prefer vampires who don’t sparkle (and pasty-faced Rob Pattinson doesn’t do anything for me, either, not that I would spend good money on any of the movies), and I consider Bella Swan one of the worst characters I’ve ever read in print (Twi-hards, please don’t spam me with hate messages!).
That said, I didn’t have high hopes for the Twilight graphic novel, which my boss lent me to review. I was curious for two reasons: local bookstores are having price wars to drive the sales of the books (there are even billboards for the book!); and I wanted to see how it was adapted visually, given its base material.
I also had a chance to review Maggie Stiefwater’s Shiver, which, despite my apprehensions, turned out to be a pleasant surprise.
Re-gifters
Apr 7th
As you well know, I’ve introduced a steady supply of graphic novels in my reading diet for the past few months and I’ve been enjoying the regular break from straight text. But because I still haven’t acquired the taste for graphic novels involving multiple volumes (except for Fables, which I’m planning on collecting via the annual deluxe editions), spandex-clad characters or ka-pow effects, I’ve been seeking out one-volume graphic novels to add to my growing collection.
I came across Re-gifters on BookMooch, looked it up and saw that it’s gotten good reviews, and had to have it shipped to my mom in California (because the moocher only sends to the US) and then waited for her to come home before I could get my hands on it. It turned out to be worth all the trouble!
Blankets and Chunky Rice
Feb 4th
Last year, the graphic novel was one of the new genres I started getting hooked on, and Craig Thompson has fast become one of my favorite graphic novel writer-illustrators.
I’ve been salivating over Blankets at the bookstore for years now, but it’s waaay out of my budget, and so it remains on my wishlist. A couple of years back, though, I was able to mooch Thompson’s Goodbye, Chunky Rice, and so I started with that.
Late last year, I finally got the chance to read Blankets, when Flipper friend Mike (aka GNP, or Geek and Proud) lent me his copy, along with his prized volumes of Maus. Of course, before I read Blankets, I felt a reread of Goodbye, Chunky Rice was in order, so I could review the two books side by side before I finally return Mike’s book this weekend (I returned Maus earlier), with gratitude for entrusting one of his favorite books to me for several months now. More >
El Indio
Dec 7th
If you’ve been a regular visitor to this site, you’ve probably noticed I’ve been slowly acquiring the taste for graphic novels, as more and more of them seem to be making their way to my shelves.
Last week I had the chance to read Francisco V. Coching’s El Indio, a action adventure “komiks” (local comics) series first published in Pilipino Komiks back in the ’50s, which is said to be the golden age of Philippine comics, which flourished until the declaration of Martial Law in the Philippines.
Francisco V. Coching dominated this era of comics, hailed by general consensus as the Philippines’ greatest komiks illustrator, with 61 komiks novels, all but 10 of which were turned into popular films. El Indio is one of Coching’s most popular works, the sequel to the komiks “Sabas, Ang Barbaro.”
Maus
Nov 25th
This post is dedicated to the victims of the election massacre that took place in Maguindanao.
I was supposed to read another book to wrap up my World War II Challenge, but that will probably have to wait until next month, as I found another couple of books for this Challenge, lent to me by my book club friend Mike (thank you, Mike!).
I’ve only really started venturing into graphic novels recently but the critically-acclaimed Maus by Art Spiegelman is something I’ve always been interested in, although I haven’t seen it in the local book stores. While I’ve been acquainted with Art Spiegelman’s work in the Little Lit series, I’ve always wanted to read his masterpiece.
ZsaZsa Zaturnnah Ze Muzikal (2nd time around)
Mar 8th
Yesterday, I watched Zsa Zsa Zaturnnah Ze Muzikal with my best friend, my sister, and fellow Flippers Czar, Marie, MayD, and Ihop (with Mr. Ihop and friend) at the Cultural Center of the Philippines.
ZZZ 2009 poster (from http://carverhouse.blogspot.com)
The graphic novel
CarVer and Tuxqs at the FFP discussion
ZZZ 2009 poster (from http://carverhouse.blogspot.com)Because I have readers outside of the Philippines, I need to explain: Zsa Zsa Zaturnnah is a campy, original Filipino graphic novel by Carlo Vergara. It’s about a gay parlorista (hairdresser/ beauty specialist) whose alter ego is the busty, bodacious FEMALE superhero Zsa Zsa Zaturnnah.
The graphic novelLast July, the Flippers had a Zsa Zsa book discussion and we were lucky enough to have Carlo Vergara on hand to listen to our discussion and answer our questions about the book (and sign autographs too!). With him was Tuxqs Rutaquio, who plays the lead, Ada, in the musical.
CarVer and Tuxqs at the FFP discussion
Flippers take on ZsaZsa!
Yesterday was actually the second time I watched the musical, as I watched it on its second run at the PETA theater nearly three years ago, before I even read the book, and I have to say it was one of the best things I’ve ever watched onstage. The theater was small and the stage was in the center, and I really enjoyed watching it up close.
So I didn’t mind watching it a second time, although turned out to be a different experience for me.
A few boos: we had reserved P600 seats, only to find out when we claimed the tickets that our reserved seats had been sold to some other people (they refunded P100) and we had seats at the far end of the theater, along the side, and the most annoying of them all: right next to the exit door so all the latecomers had to pass in front of us. Granted, it was a night of horrendous traffic (Eheads concert at MOA), but theater policy should limit late entrance to the intermission, or else they need to devise a way to let the people in without disturbing any of the seated audience who came on time to watch the show.
And my beef: the theater’s audio was really bad. There were times when it was too loud (the earsplitting scene when Ada and Didi were screaming, thinking the house was getting attacked by stone-throwers) and times when the mics were crackly or picked up feedback. But most of the time, especially for the songs layered with background music and solos performed upstage — we couldn’t make out the solos. The play is a musical, they should have made sure everyone could hear it properly — isn’t that a theater rule, to make sure “the deaf old lady in the back row” could hear everything clearly?
The show was still enjoyable despite the aforementioned logistical and technical flaws, if only because of the show’s entertainment value. The camaraderie between Ada and Didi (played by Tuxqs Rutaquio and Joey Paras) was as fascinating as I remembered it, and Eula Valdez as Zsa Zsa was quite possibly even more stellar this time around. I also love that they updated the script and it was still laugh-out-loud funny (at least for what dialogue made it to our far end of the theater), but I really missed the overall WOW experience I had first time I watched it.
Oh, and I should have brought my copy of the book for a third autograph!
***
My copy: paperback (books I & II combined), bought at PETA run, autographed twice by CarVer (first at the PETA run, second at the FFP reading)
My rating: book 5/5 stars; musical – PETA run 5/5 stars; 2009 run 3.5/5 stars
Persepolis
Feb 9th
Was finally able to watch the Persepolis movie yesterday, and it comes as a relief that it’s not one of those annoying movie adaptations that fail to live up to the reader’s expectations.
If you’re not already familiar with the 2-part graphic novel (although there is already a complete edition with both parts in one book), Persepolis by Marjane (mar-zhan) Satrapi is a coming-of-age memoir in comic strips, narrating her life growing up in Iran during the Islamic revolution, studying in Austria, and then returning to her home country.
The comics, done in pen and ink, swing between irreverent and hilarious to poignant and insightful. I liked the first book, which is focused on Satrapi’s childhood, better than the second, which deals with her schooling abroad onwards. The perspective changes in the second book, naturally — the humor gets drier as she grows older and deals with more issues, but it is still worth reading to get the whole story.
To parents who are wondering if the comics are suitable for young readers, the first book is okay for younger teens (6th grade to junior high, but be prepared to answer questions and explain certain concepts), but reserve the second book for later, as it deals with more mature issues.
To parents who are wondering if the comics are suitable for young readers, the first book is okay for younger teens (6th grade to junior high, but be prepared to answer questions and explain certain concepts), but reserve the second book for later, as it deals with more mature issues.
The Persepolis movie, which debuted at the 2007 Cannes, is as highly acclaimed as the book. The animation is a bit more polished than the comics, but resembles it closely enough that you wouldn’t really notice. Some episodes from the first book are not in the film, especially those that don’t really propel the story forward, but the film is in essence faithful to the book.
The film also manages to make some episodes even funnier and some even more poignant, even though I’d read them already, and an adaptation that can do that is worth lauding. I cried a bit when uncle Anoush gave Marji the bread swans, and when the”Eye of the Tiger” sequence was rolling, I was doubled over laughing!
Film adaptations, when executed properly, add another dimension of enjoyment to the experience of reading a book, and the Persepolis movie does just that. It’s one of the very few movie adaptations that I’ve enjoyed recently, so bravo to that!
***
My copies: Persepolis 1, trade paperback, from NBS Book-sak Presyo Sale (a steal at P75); Persepolis 2, trade paperback, mooched from abroad
My rating: Persepolis I, 5/5 stars; Persepolis II, 4/5 stars
Persepolis movie, 5/5 stars
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